On the other hand, it's very possible I'll be using piano on future songs, so I might as well do it right.Ĥ) Use my sampler for a piano sound instead. Still, it seems like overkill for what's going to be about one minute of music. I'm going to have the owner of the piano play me some notes over the phone tomorrow and see where things are at. (This is not practical, though - the piano is for one part of a song where the previous parts are in concert pitch.)ģ) Hire a piano tuner to put the dang piano back into concert pitch! I just might do this, depending on how far gone the pitch is. The problem with this is that none of my outboard gear nor plugins are great at pitch shifting, and would probably result in a much uglier sound than I'd like.Ģ) Record the piano normally, but then tune all of the subsequent instruments in the production to the same key as the piano. My question is, what is the best way to attack this from a DAW perspective? I could.ġ) Record the piano normally, then use a pitch shifter to move the pitch of the piano to concert pitch. A does not equal 440) but it's in tune with itself. I'm going to be recording a piano part this weekend, and I have a feeling that this particular piano is out of tune (i.e.
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